Bold Fraktur
BlackletterπΊππ π°ππππππ
Safe in all 5 apps we checked
Old English font generator
Type anything and get Old English letters in twenty styles, ready to copy and paste. Each one tells you where it survives the paste, which is the part other generators leave you to find out.
/ 5000
Bold Fraktur
Safe in all 5 apps we checked
πΊππ π°ππππππ
That is already styled text.
Every style
All 20 convert as you type. Star one and it moves to the front of the grid and is still there the next time you open the page.
πΊππ π°ππππππ
Safe in all 5 apps we checked
ππ©π‘ ππ«π€π©π¦π°π₯
Safe in all 5 apps we checked
πππ πΌπππππ€π
Safe in all 5 apps we checked
πΊΜΆπΜΆπΜΆ π°ΜΆπΜΆπΜΆπΜΆπΜΆπΜΆπΜΆ
Can look wrong in 4 of 5 apps
πΊΜ²πΜ²πΜ² π°Μ²πΜ²πΜ²πΜ²πΜ²πΜ²πΜ²
Can look wrong in 4 of 5 apps
πΊβπβπβ βπ°βπβπβπβπβπβπ
Can look wrong in 1 of 5 apps
ΰΌΊπΊππ π°ππππππΰΌ»
Can look wrong in 1 of 5 apps
ππ΅π ππ·π°π΅π²πΌπ±
Safe in all 5 apps we checked
πͺππΉ β°πβππΎππ½
Safe in all 5 apps we checked
ππ₯π ππ§π π₯π’π¬π‘
Safe in all 5 apps we checked
πππ πΈπππππ β
Safe in all 5 apps we checked
πΆππ π¬ππππππ
Safe in all 5 apps we checked
π’πΉπ± ππ»π΄πΉπΆππ΅
Safe in all 5 apps we checked
πΎππ π΄ππππππ
Safe in all 5 apps we checked
οΌ―ο½ο½ οΌ₯ο½ο½ο½ο½ο½ο½
Safe in all 5 apps we checked
α΄Κα΄ α΄Ι΄Ι’ΚΙͺκ±Κ
Safe in all 5 apps we checked
βββ βΊβββββ’β
Safe in all 5 apps we checked
π π π π π π π π π ’π
Can look wrong in 5 of 5 apps
πΎπ»π³ π΄π½πΆπ»πΈπ π·
Can look wrong in 5 of 5 apps
Ι₯sα΄Δ±ΖuΗ pΔ±o
Safe in all 5 apps we checked
Where it works
The five are Instagram, TikTok, Discord, X and WhatsApp, and three of them are drawn below: a TikTok bio and a WhatsApp message are a plain line of text with no chrome around it to draw. The one that catches people out is the username field: every platform here accepts styled text in a bio and rejects it in a handle.
Every verdict here was tested in the app itself rather than worked out from the characters, which is why some of them disagree with what the Unicode alone would predict.
πΊππ π°ππππππ
Renders correctly
πΊππ π°ππππππ
Renders correctly
πΊππ π°ππππππ
Renders correctly
The catch
A font lives on the machine that draws the text. Install one and your own screen changes; the bio a stranger reads on their phone does not, because their phone has never heard of it. That is not a restriction Instagram or Discord chose, it is what a font is.
So there are two answers here, and which you want depends on where the text is going. Into a bio, a caption or a message: copy and paste the characters above. Onto an Old English tattoo, a logo, a poster or anything printed: you want a real font, and the eight below set your own words in one. It is also the reason a pasted word never quite matches the hand-drawn lettering people picture, which the page on the gangster Old English font takes apart stroke by stroke.
Real typefaces
These eight are fonts rather than characters, so they cannot be pasted into a bio and they cannot be installed from here. Set the size, spacing and curve, compare them, then save the one you want as a PNG in any colour: the file you would hand to a printer, a designer or a tattoo artist.
Old English
UnifrakturMaguntia
A true fraktur, from Mainzer Fraktur, a 1901 type. The closest of these to what people mean by Old English.
Old English
Pirata One
Heavier and more condensed. Holds up at small sizes, where the finer faces fill in.
Old English
Grenze Gotisch
A modern gothic with a full weight range. The most readable of these in a long line.
Old English
Eagle Lake
Calligraphic rather than blackletter proper, with long tails. Best for a short name.
Old English
UnifrakturCook
The heavy sister of UnifrakturMaguntia, from the same project. Bold only, so it holds together from across a room.
Old English
Texturina
A textura, the upright gothic of the first printed Bibles, redrawn so a whole sentence stays readable.
Old English
Germania One
Narrow and blunt, blackletter bones with the spikes filed down. Fits a long word into a small space.
Old English
New Rocker
Blackletter with a band-poster swagger. Loud, for a shirt, a logo or a name on a jersey.
What you save here is a picture of the letters, not the letters themselves.
How it works
They are not a font. They are Unicode characters that happen to be shaped like blackletter, encoded so that mathematicians could write a fraktur R in an equation and have it survive being emailed. Everything this Old English font generator does is a side effect of that decision.
It is also why the set has holes. There is no fraktur capital C, H, I, R or Z in the main block, because those five had already been encoded years earlier for mathematics and Unicode does not encode a character twice. A generator that does the arithmetic and forgets the exceptions turns Charles into a name with an empty box where the C should be. Ours reaches into the other block for them, which is why every letter here renders.
And it is why there are no Old English numbers, in any style. The digits were never added, because the ordinary ones were already doing the job in every equation that needed them. Six other styles here do convert digits and can stand in, which the page on Old English font numbers goes through one by one.
The shapes
Old English is a label, not a typeface. Blackletter is the real term, gothic is the older one, and under them sit three families. The differences are what make one search return a Gutenberg Bible and the next a wedding invitation. The word gothic carries two further meanings that are not type at all, and the gothic font generator page separates all three.
Two of the three families are genuinely medieval, and the one everybody actually uses is not. None of them slopes, so letters that lean and join are on the Old English cursive font page.
The densest and most vertical blackletter, all straight strokes and sharp corners, with almost no curve anywhere. Gutenberg set his Bible in one. This is what most people mean by Old English.
Drawn here in Texturina
German, later, and broken rather than straight: the strokes bend where a textura would turn a corner. Its capitals carry the swashes and spirals people either love or cannot read.
Drawn here in UnifrakturMaguntia
The southern European answer, rounder and wider, with the weight of blackletter but few of its corners. Easier to read and much less often what someone searching for Old English wants.
Drawn here in Grenze Gotisch
The fonts themselves
These are the Old English fonts people look for by name. Two are open licensed and served by this site. Three are free downloads whose commercial permission is disputed, which is worth knowing before a logo goes to print. One arrives with Microsoft Office and may already be on your machine. None of them is drawn here in somebody else's letters.
The one most people picture: a dense textura with heavy verticals and hairline serifs, and the face behind a large share of Old English tattoos.
The Cloister Black font, and what it can and cannot do
Cut by Morris Fuller Benton around 1904 and revived as a digital font by Dieter Steffmann in the 1990s.
Free to download, and its designer said commercial use is fine too. It revives a face first sold as metal type and that permission has been questioned, so it is not embedded here and we cannot promise it is safe on something you sell.
Cleaner and more open than Cloister Black, with rounder capitals. The one that stays legible in a word rather than a single letter.
The Old London font, and what it can and cannot do
Dieter Steffmann, drawn from Victorian British lettering rather than from a German fraktur.
Free to download, commercial use allowed by its designer but disputed. Not embedded here for the same reason as Cloister Black.
A narrow textura with strong diagonal stress, close to the lettering on certificates and diplomas.
Dieter Steffmann, after nineteenth-century English engraving styles.
Free to download, commercial use allowed by its designer but disputed. Not embedded here.
The one already on the machine: the blackletter in the Word font menu, and the reason so many people think they have an Old English font and cannot find it anywhere else.
The Old English Text MT font, and what it can and cannot do
Drawn by the Monotype Type Drawing Office and supplied by Microsoft as the file Oldengl.ttf. Microsoftβs own note on it says it looks remarkably like Cloister Black.
Monotypeβs, licensed to Microsoft and installed by Office rather than by Windows: it appears in neither the Windows 10 nor the Windows 11 font list. So you may well already have it, you cannot redistribute it, and it is not embedded here.
A true fraktur, and the closest thing on this page to what a German printer would have set in 1900.
Based on Mainzer Fraktur, a 1901 type by Carl Albert Fahrenwaldt, through a digital revival by Peter Wiegel.
SIL Open Font Licence. Free for anything, including work you sell, including embedding in a product. This one is served by this site.
A modern gothic with a full weight range, drawn to stay readable at small sizes where the old revivals fill in.
Omnibus-Type, 2020, a contemporary design rather than a revival.
SIL Open Font Licence. Free for commercial use. Served by this site, and the face this page is titled in.
Questions
There is no single font behind the name. Old English is a booksellerβs label for a whole family of medieval scripts, and the typographic name for that family is blackletter, which older specimens also call gothic. If you are asking because you saw the style in Microsoft Word, the font is almost certainly Old English Text MT, which ships with Office. On a tattoo or a newspaper masthead it is more often Cloister Black. Both are named further down this page, along with what you are allowed to do with each.
Dense vertical strokes, sharp corners, very few curves, and capitals carrying decorative flourishes the lowercase does not. The closest match to what most people picture is textura, and Cloister Black or Old English Text MT are the usual answers. If you want something that stays readable across a whole sentence rather than a single word, Old London and Grenze Gotisch are the better choices. The eight real faces above are already set in your own words, and Texturina among them is a textura.
Three different things get asked this way. For a bio, a caption or a message, type into the Old English text generator at the top of this page, then copy and paste the Old English letters it gives you: those are characters, so nothing has to be installed at the other end. For a document or a print file you need an actual font, and the six named further down are where to start. By hand it is blackletter calligraphy, a broad-nib craft this site does not teach.
Not for anything you copy and paste from here. You only need a font file if you are setting Old English in Word, Photoshop or something going to print. This site does not host one, and that is deliberate: three of the six faces people ask for by name are free revivals whose right to be given away for commercial use is disputed, and handing out the file as if that were settled is the part most download sites get wrong. Each face on this page links to its own source instead.
Because a font lives on the device that draws the text, and Instagram draws your bio on somebody elseβs phone. Installing a font changes what you see in Word or Photoshop; it changes nothing about what a stranger sees in an app. This is the single most common misunderstanding about Old English lettering online, and it is exactly why the generator on this page produces characters instead: those travel inside the text and survive the paste.
Blackletter is the real name for the whole group of scripts. Gothic is an older word for the same thing, confusingly also used for nineteenth-century sans serifs, which is why type specimens sometimes call a plain sans a gothic. Old English is a booksellerβs label rather than a typographic term, and it usually means textura specifically. None of the three is the name of a font, which is why one search returns four different shapes.
Because Unicode has no Old English digits. The letters were added for mathematics, where the ordinary digits were already in use, so nobody ever encoded a fraktur 4. Any generator that appears to convert numbers is passing something else off as the blackletter digits, usually circled or full-width ones, which look nothing like the letters beside them. We leave them alone and tell you rather than quietly breaking the line. The Old English font numbers page shows the six styles that do convert digits and what each looks like beside blackletter.
That is a character your device has no glyph for, and it is usually the phone rather than the text. The filled circle and boxed styles are the ones this happens to most, because some platforms render them as emoji instead of as letters. Bold Fraktur is the safest: it is the only Old English alphabet Unicode encodes completely, which is why it is the one that opens the page.
Yes. Paste it into the box and a button appears offering to convert it back. It handles mixed text, so a caption with one styled word comes back intact. The one style it cannot reverse is upside down, because that one rewrites letters as other ordinary letters and there is no way to tell it apart from text you meant to type.
No, and this is worth knowing before you use it in a name or a bio. A screen reader announces these characters by their Unicode names, so an Old English A is read out as "mathematical fraktur capital A", letter by letter. Anyone using one will hear a long string of nonsense rather than your name. Use it for a caption or a one-off, and think twice before it becomes your permanent handle.
Most often Cloister Black, or a hand-lettered variation on it. Do not screenshot the copy and paste characters for this: those are drawn by whichever font the device happens to have, so the shapes you are looking at are not the shapes your artist will work from. Use one of the eight real faces above and export it as a PNG, which is rendered from the actual font at three times the size and is a file you can hand over.
Yes, and the licence is the thing to check rather than the price. Every face drawn on this page, including UnifrakturMaguntia, Texturina and Grenze Gotisch, is under the SIL Open Font Licence, which permits commercial work, embedding and modification with no fee and no permission needed. Cloister Black, Old London and English Towne are the ones most download sites hand you. Their designer, Dieter Steffmann, said he gave them away for commercial use too, but Cloister Black revives commercial metal type, and the Fedora Linux project turned his fonts down over that doubt. A free download is not a clean licence.
Its designer said yes, and nobody can promise it. The file is a revival of a face first sold as metal type in 1904, and whether a revival was his to license freely is the open question. That is not the same as saying it is forbidden, and it is not legal advice. If the answer matters, use one of the OFL faces, where the permission is written down and unambiguous.